5 International Hip-Hop Scenes To Watch Now

central cee performs in reo

Acts around the globe are shifting away from imitating American artists, creating an audible international shift toward sounds that are truer to location. Read on for five countries with distinct hip-hop scenes worth checking out.

Tamara Palmer

|GRAMMYs/Dec 12, 2023 – 06:16 am

Fifty years since the recognized beginning of hip-hop culture in the United States, its beats, rhymes and life have been inspiring artists and doing serious business around the world. These days, though, there’s an audible international shift away from imitating American acts and producing sounds that are truer to location.

“Overall, we’re definitely seeing the decline of the dominance of rap music on a global scale,” notes Nima Etminan, COO of Empire. Headquartered in San Francisco, Empire is included among Billboard’s 2023 International Power Players and has offices in New York, London, South Africa and Nigeria. An experienced A&R executive, Etminan is originally from Germany and frequently works from each base to scout and sign talent.

What is working, Etminan has noticed, are emergent international styles that may count rap music and hip-hop culture as ingredients or influences. Artists around the globe are breaking new sonic ground, whether it’s Puerto Rico’s Bad Bunny rapping and singing, or the hip-hop appeal of the corridos by Mexico’s Peso Pluma.

“I think that the essence of African American culture when it comes to talking and dressing and stuff is definitely still there, but it’s just less because [America has] less global influence,” he says. ” Now everybody kind of has their own local scenes that are bigger. So the American stuff still plays into it, but just on a much smaller scale because they have their own heroes and their own superstars who are big that they are looking up to.”

With all that in mind, GRAMMY.com asked Etminan and other global music minds to recommend international rap scenes that are worth watching now.

Brazil

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In November, Brazilian hip-hop artists made a big impression at the 2023 Latin GRAMMYs. Planet Hemp and Criolo were the first to win the inaugural award for Best Portuguese-Language Urban Performance with their song “Distopia.” They were nominated alongside three other Brazilian rap acts worth watching: Luccas Carlos, Dallas and Filipe Ret.

Empire, which is both a record label and distributor, just hired its first employee in Brazil. The company has good reason to watch and invest in this region.

“I think Brazil is one of the fastest rising areas,” says Etminan. “I think as far as their own sound and culture that’s really big but hasn’t exploded outside of that yet, and hasn’t had mainstream success yet, it’s probably Brazil.”

Read more: A Timeline Of Brazilian Hip-Hop: From The Ruas To The Red Carpet

France

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French rap music may not be on the radar of the average American fan, but France is the second largest market in the world for hip-hop — behind only the United States.

“Take a look at the country’s Top Spotify lists and it’s strongly dominated by domestic artists in the genre who come from Paris, Marseille and from various regions across the country,” notes Alexandra Greenberg, the U.S. consultant for CNM (Centre national de la musique), France’s national music office. “The country also has Les Flammes, an international awards show celebrating rap going into its second year this coming April.”

Paris-based hip-hop journalist and author Epée Hervé Dingong suggests becoming acquainted with the likes of Ninho, an MC of Congolese descent influenced by American Southern rappers, who recently collaborated with Lil Baby. Dingong also pointed to Booba, who has had three NO. 1 albums and eight other Top 10 releases in France since his 2002 debut.

“Booba is not new,” says Dingong, who is working on a book chronicling the history of the hip-hop mixtape, “but he is still the king.” 

Nigeria

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The world’s embrace of Afrobeats originated with Nigerian artist Fela Kuti, who was likened to be the James Brown of Africa. Current Nigerian superstars who are poised to eclipse that success internationally, like Burna Boy and Olamide, have grown up under the influence of the Kuti family (including Fela’s recording artist sons, Femi Kuti and Seun Kuti) and the allure of American rap.

Ahead of the 2024 GRAMMYs, the Recording Academy introduced a new category of Best African Music Performance, reflecting the continent’s current breakthroughs in the North American music business. And a remix of “Sittin’ on Top of the World” by Burna Boy featuring 21 Savage is one of the nominees for Best Melodic Rap Performance in 2024. Fellow nominees in the category are “Attention” by Doja Cat, “Spin Bout U” from Drake & 21 Savage, “All My Life” by Lil Durk feat. J. Cole, and SZA‘s “Low.”

Though these artists are beloved around the world, the worsening economic climate in Nigeria has made it challenging for them to succeed at home, explains Etminan.

“The inflation in Nigeria was so crazy this year,” he says, “and the Nigerian currency lost so much of its value, so a lot of the money these artists were making was devalued at the same time. So that’s stuff that plays into [their ability to work at home and] that’s really tough. And that’s outside of anyone’s control, you know?”

Read more: 2024 GRAMMYs: How The New Best African Music Performance GRAMMY Category Is A Massive Win For The World

South Africa

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A&R executives like Etminan are still heavily focused on the talent and potential in South Africa, though the man who was arguably the biggest star in the South African scene with the most international appeal lost his life in 2023. AKA, an MC who was the top-selling South African hip-hop artist of all time, was shot and killed in Durban in February when his career was still on the rise. He was 35.

Presently, South Africa gets the most attention globally for amapiano, which takes influence more from house music and the more local kwaito music from the Nineties, but there is a growing cooperation and collaboration with the South African rap world. Like most specifically rap scenes, South Africa’s is male-dominated, but a notable exception is Nadia Nakai, an Artist Of The Decade nominee at the South African Hip-Hop Awards and reality star in the Netflix series Young, Famous & African. Nakai and her contemporaries reflect an aspirational lifestyle in their music.

England

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“The UK market for a long time was very tough,” says Etminan, adding that the market is small, saturated, and generally concentrated around London. “Especially when it comes to hip-hop, a huge percentage of the Black population in the UK is centered around London and once you leave London it’s very white.”

Hip-hop with an English accent may not have had as much success catching on internationally as other UK-bred styles like drum & bass and grime have, but a current set of stars are demanding the world’s attention.

“I think Central Cee is probably a perfect example of what can happen,” Etminan adds. “Everybody loves Central Cee and I don’t know if part of it is his look — he’s very racially ambiguous, he’s good looking, girls love him. He makes music that obviously has a UK accent and stuff like that, but it’s very adaptable and catchy. I feel like Central Cee is probably the one that I hear played the most from people that just listen to regular American rap music [in England].”

Central Cee won two 2022 MOBO Awards for Best Male Act and Video Of The Year for his song “Doja,” which was directed by Cole Bennett, the popular Chicago video director from Lyrical Lemonade. He celebrated his 25th birthday in 2023 with the release of Split Decision, a joint project with Mercury Prize-winning English rapper Dave, also 25 and a still-rising star who appeared on the UK series “Top Boy” (which became a US hit for Netflix). Cee is also bridging countries with collaborations such as “Eurovision,” a song and video featuring rappers and producers from France, Spain, Italy and across the United Kingdom. 

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