Com a batida inconfundível do Batidão Stronda e a produção de D-D-D-DG, a música “Mãe Solteira” invadiu as paradas de sucesso do Brasil e se tornou um verdadeiro fenômeno. A letra, que celebra a beleza e a força das mães solteiras, conquistou o público com seu ritmo contagiante e sua mensagem empoderadora.

A canção, que já acumula milhões de reproduções nas plataformas digitais, retrata a realidade de muitas mulheres que criam seus filhos sozinhas, enfrentando desafios e superando obstáculos com garra e determinação. A letra, com versos como “I love you, mãe solteira, que é gostosa demais”, exalta a beleza e a sensualidade dessas mulheres, que não se deixam abater pelas dificuldades.

Além da mensagem de empoderamento, “Mãe Solteira” também se destaca pela batida envolvente e pelo ritmo dançante, que misturam elementos do funk, do batidão e do stronda. A produção de D-D-D-DG, conhecido por seus trabalhos com outros artistas de sucesso, garante a qualidade sonora da música, que se tornou um hit nas pistas de dança e nas festas de todo o país.

O sucesso de “Mãe Solteira” também se reflete nas redes sociais, onde a música se tornou um viral, com milhares de vídeos e memes compartilhados pelos fãs. A canção também conquistou o topo das paradas de sucesso das principais rádios do Brasil, consolidando seu status de hit do momento.

Com sua mensagem positiva e seu ritmo contagiante, “Mãe Solteira” se tornou um hino para as mães solteiras de todo o Brasil, celebrando sua força, beleza e determinação. A música também conquistou o público em geral, que se identifica com a mensagem de superação e celebração da vida.

O sucesso de “Mãe Solteira” é um reflexo do talento e da criatividade dos artistas e produtores envolvidos, que conseguiram criar uma música que celebra a força da mulher e que conquistou o público com seu ritmo envolvente e sua mensagem positiva. A canção é um marco na história do batidão stronda e um exemplo do poder da música de conectar pessoas e celebrar a vida.

Gaga & Mars’ “Die With a Smile” Reigns Supreme, JENNIE & Doechii Storm Global Charts

Lady Gaga and Bruno Mars’ enchanting ballad “Die With a Smile” continues its global dominance, securing its 12th week at No. 1 on the Billboard Global 200 chart. The song, which first captured hearts last September, also reclaimed the top spot on the Billboard Global Excl. U.S. chart for an 11th week, solidifying its enduring popularity.

While Gaga and Mars maintain their stronghold, the global charts witnessed the explosive arrival of two new contenders: JENNIE’s “Like JENNIE” and Doechii’s “Anxiety.” Both tracks debuted within the Global 200’s top 10, signaling a shift in the global music landscape.

Lady Gaga’s triumph extended beyond the singles chart, with her album “MAYHEM” debuting at No. 1 on the Billboard 200 in the U.S., marking her seventh chart-topping album. JENNIE also made waves on the albums chart, with her “Ruby” debuting at No. 7.  

The Billboard Global 200 and Global Excl. U.S. charts, established in 2020, provide a comprehensive snapshot of global music consumption, ranking songs based on streaming and sales data from over 200 territories. “Die With a Smile” demonstrated its continued strength, amassing 116.9 million streams and 9,000 sales worldwide in the tracked period.  

JENNIE’s “Like JENNIE” made a stunning entry at No. 5 on the Global 200, boasting 68.4 million streams and 6,000 sales. This marks JENNIE’s fourth solo top 10 hit, further cementing her global appeal.  

Doechii’s “Anxiety” also made a significant impact, debuting at No. 6 with 56.9 million streams and 9,000 sales. This marked Doechii’s first top 10 hit, a significant achievement considering the song’s intriguing history. Recorded in 2019, the song experienced a resurgence thanks to a viral TikTok trend, where users paired its hook with a nostalgic clip from “The Fresh Prince of Bel-Air.”

Meanwhile, ROSÉ and Mars’ “APT.” held steady at No. 2, Kendrick Lamar and SZA’s “Luther” remained at No. 3, and Kendrick Lamar’s “Not Like Us” secured No. 4. Doechii’s “Anxiety” saw a slight dip in its second week, falling from 21 to 27.

The global charts continue to evolve, showcasing the diverse tastes of music consumers worldwide. With established stars like Lady Gaga and Bruno Mars maintaining their dominance and emerging artists like JENNIE and Doechii making their mark, the global music scene remains vibrant and dynamic.

Lady Gaga’s “Abracadabra”: A Theatrical Dance-Pop Spellbinding Return

Lady Gaga has conjured a captivating return with her 2025 single, “Abracadabra,” a vibrant dance-pop track that’s casting a spell on listeners worldwide. Released as the second single from her album “Mayhem,” “Abracadabra” has quickly established itself as a potent blend of Gaga’s signature theatrical flair and a modern, pulsating dance-pop energy.  

The track’s composition is a masterclass in sonic alchemy. “Abracadabra” seamlessly weaves electronic and house influences, anchored by hypnotic synths and Gaga’s dramatic vocal delivery, reminiscent of her early, groundbreaking work. Notably, the song incorporates an interpolation of Siouxsie and the Banshees’ “Spellbound,” adding a layer of classic darkwave to its contemporary sound.  

Lyrically, the song uses the titular “abracadabra” as a symbol of magic, exploring themes of overcoming personal challenges and embracing a state of thriving, not just surviving. This depth, combined with the song’s infectious energy, resonated powerfully with critics and audiences alike.  

“Abracadabra” was met with widespread acclaim, with critics praising its production, catchy chorus, and the seamless blend of late-2000s dance-pop with a modern edge. Comparisons to Gaga’s iconic “The Fame Monster” and “Chromatica” eras were frequent, highlighting the track’s dark, theatrical undertones.  

Commercially, the song has been a resounding success. It shattered streaming records on Spotify, achieved top ten positions on the Billboard Global 200 and numerous international charts, and made a significant impact on the Billboard Hot 100 in the United States. In the UK, it soared to the top five, marking Gaga’s strongest solo performance since “Born This Way.”  

The accompanying music video, co-directed by Gaga, Parris Goebel, and Bethany Vargas, further amplified the song’s theatricality. Premiering during the Grammy Awards, the video presented a visually stunning dance battle between “light and darkness,” with Gaga embodying both personas in striking white and red ensembles. The video’s choreography, high-fashion aesthetics, and commitment to sustainable production were all hailed as triumphs.  

Gaga’s live performances of “Abracadabra” on “Saturday Night Live” and “The Howard Stern Show” further showcased the song’s power. The “SNL” performance, in particular, was lauded for its innovative set design and choreography, solidifying Gaga’s reputation as a consummate performer.  

“Abracadabra” is more than just a catchy dance track. It’s a testament to Lady Gaga’s enduring artistry, her ability to blend nostalgia with innovation, and her unwavering commitment to creating captivating, thought-provoking art. It’s a spellbinding return, reaffirming her position as a pop icon who continues to push boundaries and redefine the landscape of contemporary music.   Sources and related content

The Brazilian Christian RAP scene goes through a moment of reformulation, after a period running outside the religious music scene (CCM). The loss of space over the years happened gradually due to the lack of support from the churches, investments, disinterest, market vision, and commitment on the part of the artists. But there were those who continued walking almost alone trying to reach those outside the church, following the example of Lecrae, Andy Mineo, Social Club, and NF. Some managed to blow the bubble.

Rapper Kivitz was one of those who successfully transitioned between CHH and secular RAP. There were also those who continued to spin the wheel in the rap world (in Brazil known as gospel rap): veterans Ao Cubo, L-ton, Fex Bandolero, and Lito Atalaia. One of the most popular rappers, Pregador Luo is returning to activities after being away for a while because of depression.

That time served for other names of the Christian RAP to appear on the radar. Spotify’s investment in the Christian (Catholic and Evangelical) segment of Brazil was also important for the public – and artists – to enter the digital world once and for all. In the country, consumption on streaming platforms among Christians is still small. But in 2020 there is a great expectation that the number will increase significantly. This is also the opportunity to consolidate the work of MCs that are gaining visibility, signing with record labels, standing out in playlists and in the number of views on Youtube. This is the case of Biorki, Samuel Shikoba, Yas Werneck, Abel, and Brunno Ramos

Biork 

In RAP since the 90s, Biorki was part of the extinct group Shekinah Rap, which gained prominence in the underground scene of Brazilian RAP in 2005, and of the band DigitalBomb. In 2018, he releases #simplicidade, his first solo album. Most recently, Biorki signed with Universal Music Christian Group. “Cristo Sarau” is the single that marks his debut on the label. This support will open up more avenues for the rapper to share his message with an even wider audience.

Abel

Since Sai Fora Caim (Get Out Caim), his 2012 solo album, Abel has done consistent projects as a rapper and beatmaker, producing for Christian and secular artists. His last two singles “CONTRACORRENTE” and “Manifesto” reached privileged positions and remained highlighted in Spotify’s two main Christian playlists “Novidades Religiosas” (Religious News) and “Gospel Flow,” which is specific to CHH. In 2020, Abel can stand out even more for the simple and objective way that addresses issues related to the gospel and daily life. It may be that he also presents another album.

Yas Werneck

One of the main female Christian rappers in Brazil, Yas Werneck is able to circulate in all musical environments, whether Christian or not. This can be confirmed by the inclusion of the song “Coméki” in the mixtape of the player Neymar Junior. Yas rhymes easy. It moves between the boom-bap and the trap without losing its own identity. It’s firm in the words. There is an expectation that she will release singles more often throughout the year and perhaps an EP or album.

Samuel Shikoba

With almost two years of career, having released the first single, “Agape,” in 2018, Samuel Shikoba is one of the representatives of the trap. Even with little time on the road, the MC has been featured in the main playlists and won an engaged audience. In 2020, Shikoba is expected to launch complete projects. This will be essential for your consolidation in Christian music.

Brunno Ramos 

Another representative of the trap, Brunno Ramos accumulated more than 200 thousand streams on Spotify. The numbers are impressive due to his short career. With a few singles, Brunno is building his fan base. Some of his videos exceeded 500,000 plays on YouTube. In his lyrics, the rapper speaks of the reality of those who live on the periphery, of the blackness, dreams, and victories that he has conquered through faith.

Have you heard of any of these Brazilian Christian rap artists? Let us know who you’ll be checking for!

The vibrant rhythm of Brazil often conjures images of samba, sun-drenched beaches, and Carnival. But beneath the surface, a powerful current of rap music pulses from the heart of the favelas, carrying the raw, unfiltered voices of those living on the margins. Artists like MV Bill, Emicida, and Criolo have long served as sonic mirrors, reflecting the harsh realities of prejudice and limited opportunity. Now, a new voice, Edgar, emerges from the concrete jungle of Guarulhos, on the edge of São Paulo, painting a chillingly prescient picture of a dystopian future.

Edgar’s music isn’t a simple recounting of personal struggles, though he knows the rough edges of life, having spent years on the streets. Instead, his lyrics delve into the collective anxieties of a society hurtling towards an uncertain future. His track, “Plastico,” serves as a stark warning, envisioning an apocalyptic 2022 where the natural world is choked by plastic, symbolized by the grotesque image of carnival sequins trapped within a fish’s stomach. It’s a powerful metaphor for the contamination of beauty, the destruction of innocence.

“O Amor Esta Preso?” (Is Love Imprisoned?) further explores this sense of confinement, questioning the very essence of human connection. The haunting video, featuring Edgar suspended in a straightjacket, underscores the feeling of societal restraint, where “reality’s been placed in a straightjacket.” His words resonate with a sense of suffocation, where even love is imprisoned.

The looming presence of far-right president Jair Bolsonaro casts a long shadow over Edgar’s work. His concerns extend beyond social commentary to the very survival of the Amazon rainforest, a vital lung of the planet. “Que estas libelulas entrem em extinçao” (Before the Dragonflies Disappear) uses the delicate insect as a bio-indicator, a symbol of environmental fragility. He fears the silencing of his voice, the potential for dissent to become a dangerous act.

Yet, despite this bleak outlook, Edgar’s music is not an act of surrender. It’s a defiant cry, a way to “bring myself back from the brink of madness.” He acknowledges the danger he faces, but finds in it a twisted inspiration, a burning need to “build things which are the very opposite of what’s happening.”

Edgar’s work serves as a stark reminder that art can be a powerful form of resistance, a means of confronting uncomfortable truths. It’s a soundscape of the favela, a prophecy whispered in the shadows, a warning we can’t afford to ignore. As the world listens, Edgar’s voice, raw and unfiltered, echoes from the heart of Brazil, a chilling testament to the power of music to illuminate the darkest corners of our reality.

Brazilian rap, or “rap nacional,” has always been a powerful voice, a mirror reflecting the realities of life in Brazil’s urban centers. But recently, a new wave of artists is pushing the genre into exciting, uncharted territories, blending classic rap roots with fresh sounds and perspectives.

Forget the stereotypes. While social commentary remains a vital element, these artists are exploring diverse themes: personal journeys, complex emotions, and the sheer joy of rhythm. Production is evolving too, incorporating elements of trap, funk carioca, and even electronic music, creating a sound that’s both distinctly Brazilian and globally resonant.

Artists like BK’, with his introspective lyricism and jazz-infused beats, are redefining what “conscious rap” can sound like. Tasha & Tracie, the São Paulo duo, are injecting a potent dose of feminine energy into the scene, their raw honesty and undeniable flow captivating audiences. And then there’s Matuê, whose trap-influenced style and melodic hooks are propelling him to international recognition.

This isn’t just a trend; it’s a movement. These artists are building on the legacy of pioneers like Racionais MC’s, while carving out their own unique spaces. They’re using their platforms to amplify marginalized voices, challenge societal norms, and create a sound that’s both authentic and innovative.

What makes this new wave so exciting is its diversity. From the hard-hitting rhymes of Rio’s favelas to the experimental sounds of São Paulo’s underground scene, Brazilian rap is a vibrant, ever-evolving landscape. It’s a sound that’s capturing the attention of music lovers worldwide, and rightly so. Keep your ears open, because the Brazilian rap renaissance is just getting started.

At just 20 years old, MC Soffia isn’t just a rising star; she’s a force of nature. From performing at the 2016 Rio Olympics opening ceremony at the tender age of 12 to completing her first US tour and gearing up for a new album, this Brazilian rapper is making waves with her powerful lyrics and undeniable talent.

Soffia Gomes da Rocha Gregório Correia, known to her fans as MC Soffia, isn’t just creating catchy tunes; she’s crafting anthems of empowerment for Black women. Her latest track, “Sofisticada” (“Sophisticated”), celebrates the success and beauty of Black women, a theme that resonates deeply in a country where Black women face double the unemployment rate of white men.

“When I started singing, it was not that I decided that I was going to talk about empowering women. The subject was just natural for me,” MC Soffia explains. This natural inclination stems from her strong upbringing, guided by the powerful Black women in her life.

Her mother, Kamilah Pimentel, and grandmother, Lucia Makena, are the backbone of her career, managing her and handling her public relations, respectively. Both are college-educated and instilled in her a strong sense of pride in her race and gender. Her mother, a single parent for many years, diligently nurtured her daughter’s talent, even taking her to hip-hop workshops at the age of six. Her father is also involved in her life.

The dynamic between MC Soffia and her mother is a testament to their close bond. While they navigate the often-blurred lines of mother-manager, their relationship is built on mutual respect and understanding.

MC Soffia’s impact extends beyond music. Her songs are used in Brazilian schools, and she’s a role model for the LGBTQ+ community, having publicly come out as bisexual. But at the heart of her success is her music. As cultural producer Kauan Ferreira notes, “When I am a bit sad, I like to listen to feminine rap because it lifts me up. ‘Aniversário,’ or ‘Birthday,’ it’s one of her best songs in my opinion, because she talks about her power without taking other people down.”

In a Brazilian hip-hop scene where female success is still rare, MC Soffia stands as a beacon of hope and inspiration. As Matheus Ramos of Notícia Preta puts it, “She knows she is a showcase for Black women who live in the inner cities and in the favelas. She’s a pillar, a role model.”

Despite her growing success, MC Soffia remains grounded, focusing on her new album and aiming for even greater heights. With aspirations to collaborate with her idols, Nicki Minaj and Beyoncé, she’s setting her sights on global stardom.

MC Soffia’s story is one of talent, resilience, and unwavering dedication. She’s not just making music; she’s making a difference. And as she continues to rise, the world is watching, ready to witness the full force of her extraordinary talent.

An intimate look at a popular Brazilian rapper who has become an unlikely hero for the poorest of the poor in a sprawling community outside of Brasilia, Brazil’s capital. Marcos Vinícius de Jesus Morais, aka Japão, has organized an effort to supply poor families with critically needed food and medical equipment, because “they put me in the position where I am. So today I just give them back everything they did for me. You see that today in the capital of Brazil, people are going through this kind of need, it is sad, regrettable, and cruel.”