Brazilian rapper Sain is taking a different approach to album-making with the release of Última Mesa da Lapa, an ambitious 18-track project that transforms the familiar experience of listening to radio into a complete musical journey. Released on October 15, 2026, the album combines hip-hop, boom bap, R&B, samba and Brazilian popular music, bringing together an impressive selection of collaborators from different corners of the country’s music scene.
Rather than presenting listeners with a conventional collection of songs, Sain has structured the album like a fictional radio broadcast. Music, conversations, announcements, station identification segments and guest appearances connect the tracks, creating the feeling of tuning into a station broadcasting directly from the cultural heart of Rio de Janeiro.
The project also introduces Bloco 7 FM, a radio concept developed alongside the album, with Sain and his father, legendary Brazilian rapper Marcelo D2, sharing the presentation.
For Sain, the project represents an opportunity to combine childhood memories, musical experimentation and the atmosphere of Rio’s nightlife into one creative experience.
Childhood Memories Inspired the Album
The inspiration behind Última Mesa da Lapa comes from Sain’s childhood in Catete, a neighborhood in Rio de Janeiro where he grew up listening to the radio at home.
In an interview with Noize, the rapper recalled listening to the kitchen radio while preparing for school. Those early experiences introduced him to the way radio programming could bring together music, conversations, personalities and different styles of entertainment.
Years later, that memory became the foundation for his new album.
Instead of simply incorporating radio samples into individual songs, Sain decided to build an entire musical environment around the concept. The result is a project in which listeners move between tracks as though they are following a continuous broadcast.
Radio presenter Leandro Resende provides narration throughout the album, while Brazilian artists Di Melo, João Gomes and MC Carol de Niterói contribute appearances and station announcements.
The approach gives the project a distinct personality and allows Sain to experiment with storytelling in ways that extend beyond traditional rap songwriting.
Bloco 7 FM Brings the Concept Beyond Streaming
One of the most interesting elements of the release is Bloco 7 FM, the radio concept created to accompany the album.
The project expands the fictional station into a wider cultural experience, bringing together music, conversations, DJ sets and content connected to the lifestyle and creative environment surrounding Sain.
The name references Bloco 7 and the geographical connection between Catete, Glória and Lapa, areas that have played important roles in the rapper’s personal and artistic development.
The station also connects Sain’s musical identity with the culture of Rio de Janeiro, particularly the city’s nightlife, independent music communities and traditions of gathering around music.
Marcelo D2’s involvement adds another dimension to the concept. The two artists have previously shared musical projects and performances, and their participation in Bloco 7 FM creates an opportunity to bring their relationship into the album’s broader presentation.
The launch was also accompanied by a two-day event at Casa Noz in Rio de Janeiro on October 15 and 16. The programme included an exclusive listening experience, music videos and DJ performances, allowing audiences to experience the project’s atmosphere outside streaming platforms.
An Impressive Lineup of Brazilian Rap Collaborators
Última Mesa da Lapa features contributions from several established names in Brazilian hip-hop.
Among the most notable appearances is BK’, who joins Sain on the album’s title track alongside JXNV$. BK’s involvement adds another connection to Rio de Janeiro’s contemporary rap movement.
LEALL and Akilla appear together on “Melhorei,” while Luccas Carlos contributes to “Chablis e Vieiras.”
Other collaborators include DG, JXNV$, Matchola, Ca$hline, Murica Sujão, Peres and Rare Gnxt.
The album also features Puro Suco on “Febre Desgraçada,” while Antonio Neves and Paulo DK contribute to “Nada Mudou.”
This selection of artists gives the project a broad musical identity without losing its connection to Brazilian rap.
Rather than relying exclusively on major commercial names, Sain combines established collaborators with artists from different parts of the country’s independent music environment.
The result is a record that reflects the diversity of Rio’s contemporary hip-hop community.
Sain Takes Control of the Production
Another important aspect of the album is Sain’s involvement behind the scenes.
The rapper produced 17 of its 18 tracks, with the remaining production contribution coming from the São Paulo duo Deekapz.
His role as a producer gives the project a consistent musical foundation despite its changing sounds and numerous guest appearances.
The album moves between traditional boom bap influences, contemporary R&B, samba and elements of Brazilian popular music.
These transitions are central to the radio concept. Each track feels like another programme or musical discovery rather than an isolated recording.
For an artist who has increasingly developed his production abilities throughout his career, the album provides an opportunity to demonstrate how musical direction can shape an entire listening experience.
Sain’s approach also reflects a wider tradition within Brazilian hip-hop, where rappers frequently take creative control of their production, visual presentation and independent artistic projects.
A New Chapter Following KTT ZOO
Última Mesa da Lapa arrives as Sain’s fourth solo studio album and his first solo release since KTT ZOO, which came out in July 2023.
That earlier project was another important step in his development as a producer and recording artist. Sain handled the production across the album, establishing a more defined musical identity.
His other projects include Dose de Adrenalina (2017) and Slow Flow (2019), as well as HIGHBOYZ, his collaborative project with rapper Febem released in December 2024.
Throughout these releases, Sain has demonstrated an interest in combining different influences while maintaining a connection to the foundations of Brazilian rap.
Being the son of Marcelo D2 naturally places him within one of Brazil’s most recognizable hip-hop families. However, Sain has spent years developing his own creative direction and building relationships with a separate generation of Brazilian artists.
The new album continues that process by placing his production, storytelling and artistic vision at the center of the project.
A Different Way to Experience Brazilian Rap
The release of Última Mesa da Lapa demonstrates how Brazilian hip-hop artists are continuing to experiment with the presentation of their music.
In an industry increasingly driven by individual singles, short-form videos and streaming playlists, Sain has chosen to create something that rewards listeners who experience an entire album from beginning to end.
The radio format provides a structure that connects different musical styles, guest appearances and personal memories into one continuous experience.
Its accompanying audiovisual content also expands the project beyond conventional album promotion, giving each of the 18 songs its own visual presentation.
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